Archive for March, 2010

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Plastic Beach (Experience Edition)
 
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The brainchild of iconic singer Damon Albarn and Tank Girl co-creator Jamie Hewlett, Gorillaz are made up of mysteriousand imaginative cartoon characters. While the image is powerful, it is the music that has ultimately made this project such a multi-million selling success. Albarn's ability to diversify musically shows no signs of slowing down on 'PlasticBeach', the follow-up to 2005's 'Demon Days'. Collaborations with Snoop Dogg, Gruff Rhys, De La Soul, Little Dragon andmore make this a truly special album.

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Video Reviews

Gorillaz - Plastic Beach Orchestral Trailer (HD)
Gorillaz - Plastic Beach Reflection (HD)
Gorillaz - Plastic Beach Album Mix (HD)
#13 Plastic Beach - Gorillaz - Plastic Beach

Customer Reviews

Perfection is impossible when catering for all. But Plastic Beach isn't far off.
 
Review Date: April 26, 2010
Reviewer: Mr. Alexander J. Gibbons, Northamptonshire, UK
I'm not going to spend a lot of time on this, but first things first this album is magnificent. The music industry has needed this kind of forward thinking shake-up for quite some time. It has something for everyone, soaring and diving through genre boundaries relentlessly.

The extras for the experience edition are really only for hardcore fans. I guess only the said fans will purchase this edition anyway though. As a long time Gorillaz follower, I could not be happier with this purchase.


The highlight of the extras is the 'Making Of' DVD which gives a great insight into the production of the album. If you want a fantastic album, buy the normal edition. Anything more, this is your boy.
It's great
 
Review Date: August 1, 2010
Reviewer: Gareth Doolan,
I had problems with eBay, they couldn't send anything in or out, I checked out amazon, turns out it's MUCH cheaper and all deliveries are very fast and are in brand spanking new condition, I'm realy chuffed with the album as it came faster than I thought, thank you very much and I will definately order alot more from this site, thank you.
Point Nemo
 
Review Date: April 23, 2010
Reviewer: M. Levi,
Is Plastic Beach as good as their last two albums. Its got that awesome subliminal jazzy beachy sound with a few suprises thrown in. Gorillaz is like a fine wine, gets better with age.
Awesome!
 
Review Date: April 3, 2010
Reviewer: Noodle Fan, Italy
I'm very happy for this item because it's a thing that all the fan of the Gorillaz band must have.it' s a nice packaging and the special content(the dvd and the online content)are simply awesome!The cd itself and the packaging are a piece of art and the music is very peculiar and funny to listen.
I have pre-ordered this cd not only because I'm a huge fan of the Gorillaz but also because I've listen the sample of the song and I've liked it.
So I suggest you to buy it because it's worthy!
Another great album!
 
Review Date: April 6, 2010
Reviewer: Ms. L. M. Ryan, England
The third Gorillaz album (not counting their B-sides albums) and I have to say I'm not disappointed. The songs have an 80s feel to them, which I love since I'm passionate about the 80s and the music from that time so it kinda brings back nostalgia for me.
My favourite songs include Glitterfreeze and Superfast Jellyfish. They are both catchy and make you want to dance. Very uplifting and fun. The other songs are great too and they all have the musical variety and contributing bands that Gorillaz are famous for.
This album also follows on storyline-wise from the last, with the band living on Plastic Beach and the songs reflect this, at first welcoming the listener to the world of the Plastic Beach and then going on from there. I would definately recommend it to Gorillaz fans and its also a great album for those who haven't heard their music too. It's a good all rounder with memorable songs that get stuck in your head pretty easily! Or at least for me they do!
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Plastic Beach – Gorillaz [CD Album]

Amazon.com Price: £5.99 (as of 2010-09-04 23:58:27 GMT) Product prices and availability are accurate as of the date/time indicated and are subject to change. Any price and availability information displayed on Amazon.com at the time of purchase will apply to the purchase of this product.

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Plastic Beach
 
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Product Description

The brainchild of iconic singer Damon Albarn and Tank Girl co-creator Jamie Hewlett, Gorillaz are made up of mysteriousand imaginative cartoon characters. While the image is powerful, it is the music that has ultimately made this project such a multi-million selling success. Albarn's ability to diversify musically shows no signs of slowing down on 'PlasticBeach', the follow-up to 2005's 'Demon Days'. Collaborations with Snoop Dogg, Gruff Rhys, De La Soul, Little Dragon andmore make this a truly special album.

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Video Reviews

Gorillaz - Plastic Beach Album Mix (HD)
Gorillaz - Plastic Beach Orchestral Trailer (HD)

Customer Reviews

The soundtrack for summer 2010 has arrived
 
Review Date: March 3, 2010
Reviewer: Suzabella, Bristol, UK
This album fits together more elegantly than the previous Gorillaz albums. It plays like the smooth, laid-back soundtrack to a long lie in the sun (perhaps in the garden, or, if you have one to hand, on a beach). The slightly soporific/hypnotic spell is broken by the chaotic party music of Sweepstakes - but that track is a fun, intense ride.

Expect a slightly slower pace than Demon Days, and, instead of the latter album's mood of "help - the apocolypse is coming", a feel of "okay, here we are in a post-apocolyptic world, let's make the best of it". How you react to that message is up to you.

What's amazing about this music is that, even though it fits together so beautifully, there are so many different elements - western and arabic orchestral music, several flavours of rap (laid back, cheap & cheeky, intense & high), loose semi-improvised brass, dub, alternative rock, 70s and 80s electronica, comedy jingles, crooning, vocal harmonies, snippets that reminded me of Brian Eno, Jean Michel Jarre, David Bowie, Tangerine Dream, and many, many others, and that's before you even get to the various guest stars (Lou Reed, Mark E Smith, De La Soul, Little Dragon, Bobby Womack, Mos Def, Gruff Rhys, etc.) who each bring their own highly personal styles. The guests are fully integrated and feel completely authentic parts of the sound. There are moments that are sleepy, racy, romantic, funny, camp, cool, trippy, danceable, ghostly, nostalgic, futuristic.

This album has a chilled-out feel yet is packed with so much variety and so many overlapping layers of rhythm, sounds, intriguing words, and sweet counterpoint melodies that it will be very hard to get bored no matter how many times you listen.
...And I wasn't dissapointed.
 
Review Date: March 7, 2010
Reviewer: Blue Dragon,

I pre-ordered this album after having a quick listen to the samples and liking them. I loved their previous album 'Demon Days', and so was really looking forward the long awaited next album from Gorillaz. And I have to say that I haven't been dissapointed. This album is more chilled out in a way, with a lot more orchestral tunes, almost hypnotic at times. But this does not make it any less of an achievment for them. Infact I really like it, it's different, but at the same time doesn't seem to vear away from the usual stuff we are all familliar with with the Gorillaz gang. I love this album, it's something different from them. I'm just glad it came so quick!
Mr Albarn's Big Day Out
 
Review Date: March 8, 2010
Reviewer: The Wolf, uk
Love him or hate him you've still got to admire
Damon Albarn! 'Plastic Beach' is a huge treat!!

Much of its magic arises from the ambiguity of
its narrative content and the rich diversity of its
musical ideas. Gorillaz are (is?) a kind of sonic
sponge, unafraid to soak up, digest, assimilate and
regurgitate anything which crosses their (its?) path.

Despite the unlikely forces which have come together
to give life to this extraordinary project there is a
wonderful logic and coherence in the finished article.

Lou Reed's iconic drawl on the blissfully bouncy
'Some Kind Of Nature'; Mark E Smith's bolshy demonic
evangelist on the rip-roaring boogie 'Glitter Freeze';
Mos Def and Bobby Womack raising the temperature together
on the slick and soulful 'Stylo'; crikey, there's even
Mick Jones and Paul Simonon doing a turn on the title track!

There are some truly beautiful songs here too.
'Empire Ants', a collaboration with Swedish electronic
band Little Dragon and co-written with their singer
Yukimi Nagano, is a stunning arrangement, full of limpid
harmonies and gently flowing instrumental delights.
It is a sublime confection!

They pitch up together again on 'Binge', a lovely
loping piece which would not have sounded out of
place in a 1960's movie like Cliff Richard's
'Summer Holiday'. I'm not kidding! It's a hoot!!

So many riches rolling out one after the other,
I was completely swept away by its genre-defying lack
of conformity. Uplifting and anarchic in equal measure.

A Little Masterpiece.

Essential.
An album that improves with listening
 
Review Date: June 29, 2010
Reviewer: Andrew Dalby, oxford
Sometimes you buy an album for that great song you have heard and you love to hear it and there are a few other good tracks on the album but you keep listening and it loses its interest. Here Gorillaz have created something that improves over time. I bought it on the day it was released, listened to it once and thought - hmm well the other albums were much better. There is no Clint Eastwood or Feel Good Inc, there is no stand out song and too much rap.

Then I saw them at Glastonbury and a few songs shone through - White Flag and Glitter Freeze so I went back to listen again. Then I realised I had been missing out on something special Superfast Jellyfish, Rhinestone Eyes ... The Gorillaz still have it whatever it is. How can you describe a group that one second uses Brass, then mass strings and a Lebanese Orchestra while mixing it with rap and synth? Crazy and amazing fusion.
Gorillaz Plastic Beach = Ear heaven
 
Review Date: March 12, 2010
Reviewer: argyle1,
Plastic beach is a step up from the old Gorillaz (Which I thought was amazing) it's much more relaxing, slow, and soulful.

I think he only up-beat songs are Stylo and Superfast Jellyfish (And I'm not complaining!) they're both great songs,
but I think the other songs you could lie down on a beach (preferably plastic) and relax.
Stylo and superfast are more "boppy".

Don't change song because it's weird or not very good at first, almost every song on the album starts OK and start getting better, and better,
and better.
My favourite tracks are Empire Ants, Rhinestone Eyes, Plastic Beach, Welcome to the world of the Plastic Beach, and Stylo.

White Flag is really different, it's starts with a bongo solo with some orchestral stuff thrown in there and then a bassline comes in and Bashy starts rapping and then Kano, and ends the way it starts.

I can't think of a track that isn't "any good".

I highly recommend this album, the experience version for hardcore Gorillaz fans (like me)
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Amazon.com Price: £41.85 (as of 2010-09-04 23:58:31 GMT) Product prices and availability are accurate as of the date/time indicated and are subject to change. Any price and availability information displayed on Amazon.com at the time of purchase will apply to the purchase of this product.

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I Speak Because I Can (CD+DVD)
 
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Hailing from Hampshire, England, singer songwriter Laura Marling utilises her talent for poetic lyricism and striking melodies to form pop songs of the highest order. Marling's gentle acoustic picking technique compliments the subjects close to her heart - it's easy to feel from her tender British voice that she is singing from experience. 'I Speak Because I Can' is a darker record than 2008's debut 'Alas, I Cannot Swim', taking further influence from traditional folk, although Marling's modern charm remains.

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Video Reviews

Laura Marling - I Speak Because I Can (Special Edition CD/DVD)
I Speak Because I Can - Laura Marling

Customer Reviews

Breathtaking
 
Review Date: March 27, 2010
Reviewer: J. C. Chamberlain, Cheadle, Cheshire, UK
I've had this album on repeat since I downloaded it a couple of days ago. I'd downloaded it, knowing there was a possibility I wouldn't like it at all. I liked Alas I Cannot Swim [Explicit] and I liked New Romantic and Typical from My Manic And I [Explicit], but musicians have this terrible ability to change that I always worry about. This is different.

Its amazing. This doesn't feel like folk or indie- it sounds like blues to me, maybe even soul. It reminded me of Blue, one of my favourite albums of all time, not because its like it, but because it's an emotional journey.

The album's like a wave, forming with Devil on a Spoke, reminding me of American folk, but then cresting with Made by Maid and Rambling Man softly bringing you down to the fizz of Blackberry Stone to Alpha Shallows on a Greek beach for dancing around a beach fire. Goodbye England (Covered In Snow) is beautiful, not just because it reminds me of this January's frightful beauty, but it's so soft, yet rising. There's some anger in Hope in the Air, but there's pure fantasy and magic in What He Wrote, which is my favourite song from the album. Darkness Descends is a lifting wave, taking you back out to sea on a party boat, before the title song settles you down to the rocking boat as a storm blows by.

The sound quality is excellent, an improvement on Alas and her voice comes through amazingly. The music's simple- mostly guitar, with the odd flourish from back up singers and clarinets etc. Her voice- it's as magical as always. But I think in this album, I hear more passion, more love and bitterness and excitement. And this is what has given me shivers. It's wonderful.
Amazing!!
 
Review Date: May 17, 2010
Reviewer: A. For You, Philadelphia, PA
I Speak Because I Can is an amazing step in Laura Marling's budding career. Following in the folksy ways of her debut album, Alas, I Cannot Swim, Laura's sophomore album shows an even greater maturity in her musicianship and lyricism. I personally was nervous this album wouldn't be able to live up to her first, but I couldn't have been more wrong. I play this CD non-stop and, with each listen, I hear something surprising and new. I never skip a track while listening through, and my favorite song changes every other week. This really is a stunning album- one I continue to treasure deeply, and the DVD only adds to the musical experience. I really couldn't be happier!
Does not disappoint!
 
Review Date: July 1, 2010
Reviewer: Emmy27,
I have been a huge fan of Laura Marling ever since I downloaded one of her songs for free through the iTunes single of the week programme. This prompted me to buy her first album, which I absolutely loved. Due to the quality of the first album, I was a little unsure of what to expect from the second, and desperately did not want to be left disappointed... I have to say that definately was not the case! This album is such a beautiful blend of folksy acoustic brilliance.

The subject matter and the emotion in the songs is every bit as prevalent as it was on "Alas I Cannot Swim" and I would possibly even go so far as to say that it is executed in an even more elegant way. This album is fantastic to put on in a relaxed environment and Marling's gorgeous voice is heavenly to listen to. Put simply: you will not regret this purchase!
Amazing.
 
Review Date: April 23, 2010
Reviewer: Eilidh, Scotland
Laura Marling is the single best singer-songwriter, heck - the best solo artist - in the UK right now. This album displays how far she's come musically since 'Alas...' (though that was lovely too). I have listened to it about 50 times already. Well worth the money, and the DVD and postcards with free downloads are cool too.
Folk, but not as we know it
 
Review Date: August 30, 2010
Reviewer: J. Dean, Berkshire, England
I'm a big fan of female singer/songwriters, from Suzanne Vega to Any MacDonald and Leddra Chapman. I usually draw the line at folk, however, perhaps put off by hearing too much of The Spinners as a child.

Where Laura Marling's brand of folk is different is that it isn't really folk. It is more gentle acoustic pop with edgy lyrics and attitude. The Mercury nomination is well deserved, there's plenty of variety in this record.
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I Speak Because I Can
 
Manufacturer: EMI
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Hailing from Hampshire, England, singer songwriter Laura Marling utilises her talent for poetic lyricism and striking melodies to form pop songs of the highest order. Marling's gentle acoustic picking technique compliments the subjects close to her heart - it's easy to feel from her tender British voice that she is singing from experience. 'I Speak Because I Can' is a darker record than 2008's debut 'Alas, I Cannot Swim', taking further influence from traditional folk, although Marling's modern charm remains.

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Video Reviews

Laura Marling in Cambridge - I speak because I can

Customer Reviews

Laura Marling - On a beguiling and timeless second album a star is born
 
Review Date: March 16, 2010
Reviewer: Red on Black, Cardiff
Laura Marling carries a huge weight on her young shoulders, She is still only 20 and yet following an astonishing debut album and a clutch of singles not least of all the brilliant "New Romantic" which she deliberately choose to leave off "Alas I cannot swim" the expectation around this second album is huge. In addition her personal life has become a factor (like it or not). The very public outpouring of heartbreak angst from her ex Charlie Fink of Noah and the Whale on "The First days of spring" has sealed this. Oh and just for good measure her very close chums in the album's backing band Mumford and Sons are currently as popular as Wayne Rooney at Old Trafford.

What makes her so special? The answers are vulnerability, versatility and voice. This sophomore album displays all these qualities in good measure. It is an incredibly mature set of songs containing a number of latent classics and potentially the best female voice I have heard since the young Joni Mitchell. Sorry if you think this hyperbole but with talent like this why be measured?

Having listened to this album constantly on repeat since the Times kindly streamed it (and be assured the Amazon order is in) it confirms an enormous step forward and not least since she has avoided the obvious rerun of her debut and some of its more commercial elements. The above paper has called it a "very British album - think snow-covered England, blackberries and cold noses". This description goes someway to capturing its atmospherics of folk rock but not the lyrical depth and breadth which many of her contemporaries lack.

Overall what is noticeable are the many echoes of Dylan on this album. The powerful opener "Devils spoke" has that driving acoustic propulsion and lyrical flow that underpinned "It's alright ma (I'm only bleeding)". It is a bracing and exuberant start. A later powerful song "Hope in the air" reeks of Dylan era "Bringing it back home". "Made by Maid" a gentle ballad could be a riposte to Neil Young's "Man needs a Maid" and then we are into one of the real highlights "Rambling Man". Here the resonances of the Joni Mitchell from the era of "Court and Spark" kicks in. The vocal is stunning and the song charts her vulnerability when she sings

"Beaten, battered, and cold
my children will live just to grow old
but if i sit here and weep
I'll be blown over by the slightest of breeze"

The excellent "Blackberry stone" is an older song which many will have already heard. It has a swooning violin in the background and is first rate. It is followed by an matchless highlight "Alpha Shadows" a song of controlled fury and power which does have a strong Mumford's feel about it. Then comes the utterly gorgeous Goodbye England (covered in snow) forever destined to be a wintry Christmas classic. You really must have a heart of stone not to adore this and it's the one song closest to the sprit of her debut. The three remaining songs are the poignant confessional "What he wrote" where she candidly admits "I miss his smell"; the gossamer light gentility and steady growing exuberance of "Darkness Descends" and epic searing closer "I speak because I can"

Laura Marling has recorded a beguiling and timeless second album and the transition from a teenager to a major artist has been achieved in three short years. Who knows what she can deliver in the future but here we have singer where emerging comparisons to singers like Nick Drake and Joni Mitchell are already possible and where perhaps we should worry less about her private life and more about her mercurial talent.
I Speak Because I Can
 
Review Date: March 25, 2010
Reviewer: B. Wright, Gloucester, UK
Laura Marling's second album takes its groundings in her first and expands, improves and revises all of the things that made the last so good. It is a beguiling, bewitching album - good on first listen, but definitely a grower, getting better with each listen. Ethan Johns (of Ryan Adams and Ray LaMontagne fame, amongst others) was at the helm for production, and he has really drawn out the best of Laura. The album sounds fantastic.

The songs on here are more mature, as if Laura has really grown into the songwriter she aspired to be on 'Alas, I Cannot Swim'. Several of the songs have a very Dylan-esque feel to them in the way she delivers the lyrics and spins a story. The subject of the songs are somewhat ambiguous, yet this only makes them more appealing, songs for everyman. It is a darker album than the first too, playing well on dynamics and instrumentation. Songs build slowly, eventually reaching a crescendo in the climax. 'Hope in the Air' is a good example, starting with a quiet guitar, before a bass-y piano is introduced, then banjo, drums, another guitar, all with increasing ferocity and volume. Again, Mumford & Sons act as backing band (Marcus can often be heard providing backing vocals), and the influence is particularly evident in this production style. There is more energy in the performances, more assurance in the delivery of the lyrics. It is a very English album in its feel, with the exceptions of 'Devil's Spoke' and the title track (which are slightly Eastern-tinged, inspired perhaps by her recent trip to India with Mumford). This is especially evoked on 'Goodbye England (Covered in Snow)', but there is a wintry ambience throughout, as if Laura intended the album to be heard in solitude, with headphones on.

Overall, I cannot find fault with the album. It is excellent, a step forward from her debut. Laura sounds more assured, more confident in her abilities as a songwriter; you can hear it in her voice and delivery. The album is a beautiful collection of songs, each brilliant in its own right. 'Rambling Man' and 'Darkness Descends' are catchy examples of great folk-rock, while the ballads are exceptional. My only issue - and it is a slight one - is that 'Alpha Shallows' and 'Blackberry Stone' were released as b-sides previously. With another album rumoured for release later this year, I can only hope that she keeps writing songs of a similar quality.
Keep Talking
 
Review Date: May 16, 2010
Reviewer: R. Hammond, England
I bought the CD from Amazon after finding it on Spotify (yes, I buy more CD's thanks to Spotify than I ever have before so those people who accuse streaming sites of killing CD sales are certainly wrong in my case). What pushes Laura Marling beyond the usual female British folky musings is her voice. Sometimes whimsical and feminine in songs like Goodbye England but then she gets all angry when she sings 'I tried to be a girl who likes to be used, I'm too good for that, there's a mind under this hat'. Also in songs like the excellent Alpha Shallows there's something quite menacing and angry in her delivery in lines like 'I want to be held in those arms'. It's this polite anger and malice that I really like. The backing and sound quality is also top notch. A very good album indeed.
Finally the wait is over
 
Review Date: March 22, 2010
Reviewer: Rocketdoctor, Hampshire United Kingdom
Nestled among the mail this morning was the eagerly awaited second album from Laura. After the video release of Devil's Spoke I was half expecting Mumford & Sons to feature heavily but I do not think this is case. Although undoubtly there is some influence they don't over power Laura at all instead they completment eachother wonderfully still allowing Laura's lyrics and individuality to shine through. Rambling Man is my favorite track so far and there is not one track I can say is a filler or is poor. A great second album, a tad darker than the first but a fantasitc five stars.
Might just make it to 5 stars yet [it just did!]
 
Review Date: March 16, 2010
Reviewer: Eric Ambleside, North Yorkshire
I have been listening to this new album from folk-tinged critical darling Laura Marling (via a full streamed preview, not excerpts), and I have to say it is absolutely stunning. Her first album I found a little patchy; promising for sure, good words, but some lack of musical substance and variety in arrangements.

This is a different kettle of fish entirely. My first thought - which seemed pretty obvious from the "Devil's Spoke" single - is that Marling's association with Marcus Mumford of Mumford and Sons has had a huge, huge influence on these songs and the production of the album. Great swathes of it could actually be lifted wholesale and dropped on the next Mumford's album. I'd be mightily surprised if much of the playing wasn't from the Sons as well.

This is no bad thing however; a similar delicacy of touch, the trademark swooningly gorgeous tunes that grace Mumford's recordings, and subtle, varied and beautifully played arrangements make this is a simply brilliant album. I'm not taking Marling's credit away here - she seems very much her own woman - but there's an influence without a shadow of a doubt. In addition to the cross-fertilisation from M&S, Marling's vocals seems to have come on in leaps and bounds - occasionally she is pure Joni Mitchell, but throughout she sounds confident, relaxed and perfectly pitched and phrased. This album represents a huge leap, and should guarantee serious and well deserved attention.

The girl is good, no doubt about it. A very good album that might, on repeated listening, turn into a great one.

Postscript: I just amended my review to 5 stars. This album is shatteringly beautiful in places. Laura's wonderful intonation, her achingly lovely expression, and those shimmering arrangements just grow and grow on me.
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